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For a brief instant the Australian's eyes flash fire; then he lowers his lids, and laughs quite easily. Mona hesitates, then says, shyly, with downcast eyes,— Mona throws open the door, and the visitors sail in, all open-eyed and smiling, with their very best company manners hung out for the day..
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His tone is full of sadness and longing, and something akin to fear. He has been much in the world, and has seen many of its evil ways, and this is the result of his knowledge. As he gazes on and wonders at her marvellous beauty, for an instant (a most unworthy instant) he distrusts her. Yet surely never was more groundless doubt sustained, as one might know to look upon her eyes and mouth, for in the one lies honest love, and in the other firmness. Jenkins, the antediluvian butler, proves himself a man of his word. There are, evidently, "no two ways" about Jenkins. "Seeking the seclusion that her chamber grants" about ten o'clock to-night, after a somewhat breezy evening with her mother-in-law, Mona descries upon her hearthrug, dozing blissfully, two huge hounds, that raise their sleepy tails and heads to welcome her, with the utmost condescension, as she enters her room. "Oh! catch him! do catch him!" cries Mona, "Look, there he is again! Don't you see?" with growing excitement. "Over there, under that bush. Why on earth can't you see him? Ha! there he is again! Little wretch! Turn him back, Geoffrey; it is our last chance." Mona evades a reply..
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